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Friday, June 1, 2012
This Week's Most Popular Posts: May 20 - June 1
June 1st, 2012Top StoryThis Week's Most Popular Posts: May 20 - June 1
Top 10 Ways to Beat the HeatThe heat is back. Summer is coming. The sun is out to get you-but don't lose hope. Here are our top 10 ways to beat the heat. More » I Want to Make Something on My Day OffYou're going to be productive today, but still have fun in the process. We've got a ton of projects for you to try, from gadgets to games to home improvement to food. More » I Want to Relax and Recharge on My Day OffYou understand that it's important to take care of yourself and take a freakin' break. Doing absolutely nothing is one great way to relax, but there are many others. More » There's No Speed Limit (The Lessons That Changed My Life)Most of us learn and make things at a prescribed pace. We learn a language one semester at a time, finish college in four years, follow set project milestones, and so on. More » How Can I Turn Small Talk Into a Conversation?Dear Lifehacker, This Is How You Should Secure Your iPhoneYou probably know that your iPhone features a simple passcode functionality that secures the device by requiring, by default, a 4-digit PIN to unlock your phone. More » The Accidental Asshole: Pinpoint How You're Annoying People and Do Something About ItWe all have our pet peeves. But have you ever wondered about the annoying things you do that your friends, family, and strangers are too polite to tell you about? More » Six Awesome, Lesser-Known Features in Android 4.0 "Ice Cream Sandwich"The new, highly polished version of Android is finally reaching the masses, and it's got some pretty great new features in tow. More » How to Get Out Of Your Cell Phone Contract Without Paying Termination FeesWhen you sign a two year contract with your wireless carrier, you probably know there's a termination fee if you want to get out early. More » DIY Hidden Storage Cooler Sneaks Booze Into Your EventYou enjoy going to outdoor concerts, sporting events, and other festivals but the no outside alcohol policy mixed with $8 drinks quickly dries up your enthusiasm. More » Five Best Tablet Drawing AppsIf you have a tablet and want to express your creativity, there are plenty of great apps you can use to pass the time doodling or to create beautiful digital art. More » Words to Avoid Online If You Don't Want to Join the Government's Watch ListThe US Department of Homeland Security has released a list of the keywords and phrases the agency monitors online to find potential threats. More » How to Put Your Money to Work for You, Beyond the BasicsSome people have serious financial problems, but that's not you. You've got a savings account, have cleaned up your interest-bearing debt, are contributing to a 401(k), and all-around are in pretty good financial shape. More »  | From Our SponsorTop Stories
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Gravity Rush : The Kotaku Review
June 1st, 2012Top StoryGravity Rush : The Kotaku ReviewBy Evan Narcisse
Gravity Rush doesn't feel anything like those flying dreams. It feels different, and in some ways, better. Rush is the right word to describe the sensations accompanied by this new PlayStation Vita release. The movement in Gravity Rush isn't the typical sort of video game flying where you enjoy extreme precision and control. You play as an amnesiac young woman named Kat whose flights start with floaty indifference and end with crunchy, clunky slams. The sequence is this: hover angelically, zoom with aplomb and crash with ungainly alacrity. Every time Kat smacked into the ground in a tangled heap, I always thought, "Geez, girl, are you all right?" And every time, she continued on with a plucky, open-hearted attitude.  WHY: It's a game that creates genuine joy out of movement and gives you a gorgeous sci-fi cartoon landscape to zip through. Gravity RushDeveloper: Sony Japan Studio Type of game: Third-person action/adventure with a heavy focus on exploration and combat. What I played: Finished the story mode in about 12 hours. Two Things I Loved
Two Things I Hated
Made-to-Order Back-of-Box Quotes
When the game starts, Kat finds herself in a fictional cityscape called Hekseville, accompanied by a cosmically powered cat that lets her pull off her physics-defying feats. Some of the people she meets and talks to seem to know her better than she knows herself. You'll spend time restoring parts of the city's infrastructure to unlock races and combat challenges and talking to citizens to flesh out bits of Hekseville's backstory. As the game progresses, it teases connections between its heroine and the cataclysmic gravity storms that shattered Hekseville. Along the way, she'll fight inky creatures called Nevi—who come in a bunch of gelatinous shapes and sizes—each with an elusive glowing core that she needs to smash to kill them. Even though the story seems ripped out of an anime/manga style guide, it still manages to be surprisingly poignant at times. Kat's desire to bring together parts of a fractured world—while trying to recover memories of who she is—falls prey to some some heavy-handed philosophy but nothing that's terribly wince-inducing. Your main power in the game involves the ability to cut the ties of gravity in various ways. This lets you fling yourself, other people and random objects through the air. Kat can also cling to walls and other surfaces so that the ceiling becomes the floor you walk on. This portable game places a heavy premium on movement and makes you keep an eye on a gauge that displays just how much anti-gravity juice you have. If you're running along the underside of a cliff and the gauge runs dry, you'll go tumbling down into oblivion. Penalties for blunders like this are minimal, though, and you'll generally get teleported back to a point on the map with no loss of energy. Besides, you can collect gems through exploration and various grind activities to upgrade your gauge usage and other attributes. Gravity Rush shows off the kind of symbiosis between gameworld design, aesthetics and mechanics that you only see in the best playable experiences. The environments feel like they're built to be flown through, the flying feels slightly panicky and the combat is where you turn yourself into your own bullet aiming and firing Kat at enemy weakspots over and over. The formula of traversal and momentum-based attacks persists throughout the entire game but gets tweaked in a few clever ways. You'll find yourself without your special powers at certain points but still get presented with bent-perspective platform puzzles that follow through on the perceptual skills you've learned. With all of the game's upside-down free-falling and head-tilting combat, you might feel a bit of vertigo at times but never ever nauseous. That's a testament to how finely tuned Gravity Rush's camera is. Because the environments were designed to be interacted from a variety of angles, there were times I lost my bearings flying around Hekseville. I'd find myself trying to remember which way was up. But figuring that out was always fun, whether it was finding a trail of gems I wouldn't have seen before or glimpsing a psychedelically stunning view I'd only get by flying sideways.
The bouncy quality of Gravity Rush's combat stands out as another highlight. With a Gravity Kick that sends Kat flying at enemies, her foot becomes the arrowhead of a high-speed attack. You rebound back in to the air at the end of these strikes and will eventually need to be able to aim, strike and then re-aim quickly to thrive at GR's fighting sequences. Other special abilities play out the same way, making you focus on targeting as a crucial part of the attack. It's possible to use the motion-sensing features of the Vita to tilt the handheld to aim but I didn't find myself using that very much. Thankfully, there's not a ton of mandatory touchscreen inputs, either. You swipe the screen to dodge and tap on it to select menu options or pull off finishers, but that's about it. My quibbles with Gravity Rush came in part with how easy it is to lose perspective during boss fights, especially ones that happen amongst floating chunks of real estate. But the biggest gripe with the game came at the very last, prompted by a really abrupt ending that makes the experience feel incomplete. Yeah, there's a slot for DLC missions in one of the menus but that doesn't mean you should get something that comes across as half-finished. Click to view Still, I remain smitten by Gravity Rush just because it's so damn beautiful to look at and fun to play. It'd be great as a full-blown PS3 game. Lucky for the Vita, then, that it gets to strut its stuff on the new handheld. It's not structured for bite-size sessions like so many iPhone or Android games. This airy, whimsical experience also manages to be a pretty substantial bite of a sharply realized gameplay, too. Gravity Rush joins an elite list of games that have imprinted themselves onto the backs of my eyelids. When I close my eyes, I can see Kat streaking through the air aiming a Gravity Kick at a Nevi from 100m away. That sensation provides a great escape from the bounds of more mundane experiences and hopefully points the way towards other robust handheld experiences waiting to show up on Sony's handheld.  |
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