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Monday, July 2, 2012

You May Already Own a PlayStation 4: The Sci-Fi Implications of Last Night's Big Sony-Gaikai News

July 2nd, 2012Top Story

You May Already Own a PlayStation 4: The Sci-Fi Implications of Last Night's Big Sony-Gaikai News

By Stephen Totilo

You May Already Own a PlayStation 4: The Sci-Fi Implications of Last Night's Big Sony-Gaikai NewsWe can always count on the people at PlayStation for planting crazy ideas about the future of gaming in our heads. These are the people who advertised the PlayStation 2 with a commercial for the PlayStation 9, who told us that their PS2 games would look like Pixar movies and who, at one time, were trying to convince us that the then-upcoming PS3 would be more powerful if it was on the same home network as a refrigerator that had its own PS3-style computer chip. Or was it a toaster? It doesn't matter. It didn't happen.

With Sony's continued refusal to say anything about the PS4 (psst. Codename Orbis!), the world of PlayStation has become all too much in the present. This is not what we demand from Sony. We demand sci-fi from Sony. Last night, we got that.

It's time to think about the future of PlayStation in crazy ways again, now that they spent about a third of a billion dollars on an outfit called Gaikai.

Gaikai is a cloud gaming service, which is not as boring as it sounds. It's a technology, similar to OnLive, that zaps video game graphics and sound into your home from servers faraway while you zap inputs from your game controller back up to those same servers. This tech is what enables Gaikai to let you play Alan Wake on a web browser or Mass Effect 3 on Facebook. All of the processing that a console would do is happening far, far away, well outside your living room or home. When Gaikai works, you're essentially able to play video games with an extremely long controller cord that might be stretching halfway across your state or country.

Click to view Here's the Xbox 360, PS3 game Bulletstorm running in the Google Chrome web browser, for example.

Sony is now in the process of buying Gaikai. Specifically, Sony Computer Entertainment (aka PlayStation) is buying them. That's got people dreaming that the idea of the game console as some sort of physical box that you bring into your home could be going extinct. Who would need to buy a PlayStation 4, the thinking goes, if you could use Gaikai to stream PS4—level-no, let's just say actual PlayStation 4—graphics and sound into your living room through your computer while you send commands from a DualShock controller back upstream?

Gaikai and Sony could make your need to buy a new game console irrelevant, right? Why, you could just stream in PS4 games through your… PS3! And do the same for PS5, PS6 and PS7. End of hardware cycles. End of console generations.

Well, no.

That's the kind of sci-fi future you might foresee if you were the kind of person who really expected the PlayStation 3 to ship with the ability to output to two HDTVs at once (they cut that before shipping).

Gaikai won't make console hardware obsolete, because Gaikai doesn't run everywhere. It requires a stable and fast Internet connection. The company's FAQ asks for "5+ megabits [downstream], but many demos will still work around 3 megabits". That's fine, except it doesn't work in my house in Brooklyn, not if I'm using my Internet connection for other things.

You May Already Own a PlayStation 4: The Sci-Fi Implications of Last Night's Big Sony-Gaikai NewsMy speed, via speedtest.net.

You May Already Own a PlayStation 4: The Sci-Fi Implications of Last Night's Big Sony-Gaikai NewsGaikai's response when I tried to run Alan Wake in my browser.

You May Already Own a PlayStation 4: The Sci-Fi Implications of Last Night's Big Sony-Gaikai NewsGaikai works fine on our office Internet, where we've got better speeds.

The connection that Gaikai needs isn't ridiculous, but it's also not ubiquitous. Many people won't be able to use it because their Internet is either too slow or is burdened with other services and priorities. My Internet, for example is also going to be used for Skype calls and App store downloads, any of which, if running while I'm playing a game through Gaikai, could hurt the framerate of the game I'm playing. It could add lag. Because of that, it's impossible to see a PS4 or PS5 that is entirely based on streaming. It's impossible to imagine the boxes going away for those of us who want our games to run well all of the time, not just when our Internet is awesome.

Gaikai can't kill consoles, because it will have to match them. The magic of a Gaikai-like PlayStation service is that the hardware running the games you play could be upgraded without you getting off the couch. If you're connected, remotely, to what is essentially a PS4, there's little that would technically stop Sony folks from swapping out the PS4s on their end for a PS4.5. But in a world that requires some people to own an actual PS4 box, this just wouldn't happen, not without Sony alienating all the PS4 owners whose hardware wouldn't be able to run PS4.5 games. Game creators would probably appreciate this restraint, lest the PlayStation become its own version of Android or the PC—fertile, interesting gaming platforms, sure, but ones that can give headaches to game creators who would like to make and sell games that run on standardized technology.

Gaikai can't kill consoles, because it will have to match them.

What Gaikai can do, is give people the ability to stream PS3 or PS4 games through web-enabled TVs or any other gizmo that can run the Gaikai widget (Gaikai is already going to be in some Samsung TVs). Gaikai could stream PS3 games to you in the browser you're reading this in or, say, a PlayStation Vita. If we want to be silly for a second, Sony could run Gaikai on an Xbox 360 or a Wii U. (Prediction: this will not happen.)

Gaikai would also enable games from older Sony platforms to be streamed to any device. There are no PS4.5-like problems when it comes to the original PlayStation or PS2. In fact, there's a solution here for a company like Sony that removed PS2-compatibility from the PS3 because it wanted to save money by removing the chip that enabled it. Gaikai just needs that streaming connection and its software widget, so it would have no problem restoring all PS3s to a state of PS2-compatibility and could do the same for Sony's back catalog across more devices.

If Gaikai is this promising, and if you had a fast enough connection, you might wonder if there would be any point to buying a PlayStation 4 box if you could just stream a PS4 experience to your laptop. You'd probably still want the box. Gaikai, like Netflix, is a streaming service. So, in addition to any lag concerns you might have, you'd be dealing with the bigger problem of grumpy Internet Service Providers, who are eager to find ways to charge you for all the data you stream through your home connection. If you're being charged for every bit you stream into your house, you're not going to want to stream a 30-hour role-playing game. Right?

Gaikai's founder Dave Perry told me back in 2007 that he thought consoles would no longer have disc drives by the PlayStation 5. He was thinking far into the future then, it seemed, and yet streaming and downloading make him seem more right than he did back then. At the time, and as Gaikai launched, he promoted the service as a rental model, as one that let gamers try games before they bought them. This is still the concept that makes the most sense. It would keep bandwidth usage down, but it would also give gamers more chances to try games, across more devices—their PlayStations among them—before committing to a download of a game or a drive to a store to pick up a physical copy.

They could say: "Try the PS4 right now, on your PS3."

The try-before-you-buy streaming model also leads to a most wonderful and appropriately-futuristic vision of PlayStation gaming to come. Currently, you can use Gaikai to run Mass Effect on Facebook. The processing of the game is happening far away. Your browser is, essentially, able to pretend to be a PS3. Extend the thought…extend it to E3 2013 and the likely reveal of the PlayStation 4. Imagine that you're home and your PS3 is turned on. Maybe, by then, there's a Gaikai app that lets you play old PS2 games through its streaming connection. Imagine the Sony executives saunter around on stage at E3, telling people about PS4 and showing a demo of a game. And then imagine that they say that you can load up that Gaikai app on your PS3 and that you'll find something special there: a demo to stream of a PS4 game. "Go ahead," they could say. "Try the PS4 right now, on your PS3."

It could happen. It may sound sci-fi. But it also sounds very Sony PlayStation.

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A History of Anderson Cooper's Open Secret

July 2nd, 2012Top Story

A History of Anderson Cooper's Open Secret

By Max Read

A History of Anderson Cooper's Open Secret

"I guess NOW he is!"
Metrosource magazine, November 2003
New York gay lifestyle magazine Metrosource becomes by all accounts the first publication to out Cooper, calling him "openly gay." The Village Voice's Michael Musto responds: "I guess NOW he is!"


A History of Anderson Cooper's Open Secret

Off the Record
The New York Observer, March 2004
Choire Sicha's 2004 profile of Cooper avoids discussion of the anchor's personal life. Not that he didn't ask. In an email this afternoon, Sicha explained the circumstances:

ugh i kinda don't wanna get into it. but!

my then-Observer factchecker (Elon Green!) just emailed me though and it was pretty funny. ("At the time, I knew nothing about Cooper, beyond the fact of his famous mother. For factchecking purposes, you'd kindly provided a transcript of your interview. It was all pretty standard, nothing terribly probing. But then you asked him something like, How does it feel to be an icon among gay men? To which he replied that he would like to go off the record.")

Pretty sure that's not what i asked him at all (my question was also terrible and not very probing and stuttering, because CNN had told me that I should not ask about his personal life and I got nervous) but yeah we did go to an off the record place.


A History of Anderson Cooper's Open Secret

"Anderson's Pronoun Problem"
CNN, Wonkette, Gawker, November/December 2004
Wonkette's Ana Marie Cox notes a CNN transcript of a Cooper interview with Jerry Falwell in which Cooper the silver fox seems to out himself:

COOPER: But there are a lot of gay families out there, Reverend Falwell, there are a lot of gay families out there. I think there are like a million kids being raised by gay parents who say that if you want to protect families, you know, civil unions will give inheritance rights, will give Social Security, survivor benefits rights to…
FALWELL: Anderson, that's all a red herring. If you want to leave something to your cat, you can do that in your will…
COOPER: It's not a red herring. That's simply not true. It's not true. You know we pay taxes.

Jess Coen, then at Gawker, follows up with Cooper by email; in reply, he writes, "Regarding your question, the transcript is incorrect. I said, 'you.'" (He also offers to send a copy of the tape.) The transcript is corrected, and Cox's review of the actual video confirms that it was just a transcriber's (Freudian?) error.

Reached by email today, Cox say: "I really don't think that's 'outing,' tho. 'We pay taxes' would have been funny, maybe even funnier, if Wolf Blitzer said it. [...] I won't pretend that the 'open secret' about Cooper being gay doesn't add to the snigger factor, the same way a lot of comedy builds upon what is supposedly conventional wisdom but really is a kind of pool of arguable knowledge [...] Call it 'outing' if you want to, but I say it's a tax."


A History of Anderson Cooper's Open Secret

"A delicate high-wire dance"
Out Magazine, April 2005
In a long Out piece about Cooper's public persona, Musto calls Cooper "out but in but himself but guarded but definitely gray. I mean gay." The piece gets a big response — Musto devotes a Voice column to the mail it generated, and the New York Daily News' Ben Widdicombe asks Cooper if he has any comment. "No," Cooper responds. Later that month, he appears on Conan O'Brian's talk show and professes his love for My Super Sweet Sixteen. "Oh, poor Andy," Coen writes. "He's so far out of the closet, not even CNN's most iron-fisted publicists will be able to shove him back in."


A History of Anderson Cooper's Open Secret

"I don't talk about my personal life"
New York, September 2005
Following Musto's Out article, the question apparently becomes fair game, and New York's Jonathan Van Meter asks Cooper directly while writing a profile:

When I bring up the sexuality issue with Cooper, he says, "You know, I understand why people might be interested. But I just don't talk about my personal life. It's a decision I made a long time ago, before I ever even knew anyone would be interested in my personal life. The whole thing about being a reporter is that you're supposed to be an observer and to be able to adapt with any group you're in, and I don't want to do anything that threatens that."

He gives a similar answer to Multi-Channel News' Tom Steinert-Threlkeld in November:

MCN: In that light, one of the things people have been asking about Anderson Cooper is, are you gay?
AC: I don't talk about my personal life.

At this point, Gawker is running around one Anderson Cooper gay joke post a week. An unearthed Details (ahem) column about going gray is fodder for both Alex Pareene and Matt Drudge.


A History of Anderson Cooper's Open Secret

"I guess that makes Anderson Cooper gay, too."
New York Post, July 2006
The Post reports on a joke cut from an ABC sitcom (for reasons, apparently, of length):

The show, "Help Me Help You," stars Ted Danson as a troubled psychotherapist who has a patient (played by Jim Rash) who is described as a "self-avowed metro-sexual who is in serious denial that he might possibly be gay."

In a tape of the show sent to critics, the character whines, "I'm gay. I'm super gay. And I guess that makes Anderson Cooper gay, too."

"They [producers] just kept saying, 'Just keep improvising names that could be gay,' " Rash told TV critics this week.

Rash, who plays the sexually-ambiguous Dean Pelton on NBC's Community, won an Oscar last year for his screenplay for The Descendants.


A History of Anderson Cooper's Open Secret

The Second-Most Powerful Gay Man in America
Out, May 2007
Musto goes back to the well with an Out piece about the "glass closet — that complex but popular contraption that allows public figures to avoid the career repercussions of any personal disclosure while living their lives with a certain degree of integrity." On the cover, a model in a pin-striped suit holds an Anderson Cooper mask in front of his face; inside the issue, Cooper is named the second-most powerful gay man in America (behind David Geffen, natch).


A History of Anderson Cooper's Open Secret

"Anderson Cooper Is a Giant Homosexual and Everyone Knows It"
Gawker, October 2009
After the Post runs a not-very-thinly-veiled-at-all item about Cooper's vacation, Brian Moylan declares an end to the winky jokes:

Enough: Anderson Cooper is very gay. It's time he said it. [...] Saying Cooper is gay is no longer a scoop. It's not a scandal. Even the humor involved in all the clever winking and nodding is past its expiration date. [...] Cooper's see-through closet is such a joke that it doesn't make sense to call him in the closet anymore. If he won't say it, we will: Anderson Cooper is officially out.

The post gets over 500,000 pageviews, making it Gawker's most popular Cooper post by far. Moylan writes a follow-up about Cooper's boyfriend Benjamin Maisani.


A History of Anderson Cooper's Open Secret

"Mr. Cooper is opening up about everything, almost."
New York Times, September 2011
In what's the high-water mark for mainstream, respectable acknowledgment of Cooper's sexuality, Alessandra Stanley all but calls him gay while reviewing his new daytime talk show:

Mr. Cooper is opening up about everything, almost. [...] The one thing he hasn't done yet - and the lacuna grows more obvious and awkward with each show - is talk about his love life. It's hard to see how he can continue to leave that out selectively and preserve one particular zone of privacy while building a confessional talk show wrapped around his good looks, high spirits and glamorous adventures. [...] Gossip magazines like Us and People, and Web sites like TMZ.com follow his exploits, but he has so far managed to avoid mainstream prying. [...] The whole thing about being a talk show host is that you stop observing and make a spectacle of yourself, and that usually entails losing control over what you disclose and what you hold back. "Anderson" raises the question of whether Anderson is quite ready for that, and its success may hinge on the answer.

A few months later, Moylan reports that the show is prepping a "coming-out episode" in an attempt to juice ratings. It never comes to fruition.


A History of Anderson Cooper's Open Secret

"By the Way, We're Gay"
Entertainment Weekly, July 2012
Mark Harris' cover story about "casually" out stars like Neil Patrick Harris and Jim Parsons offhandedly mentions Cooper to illustrate the idea of the "glass closet." (A similar, earlier New York Observer article focuses on Cooper in particular.) Andrew Sullivan emails Cooper to "ask him for his feedback on this subject, for reasons that are probably obvious to most," and Cooper responds (in part) "The fact is, I'm gay, always have been, always will be, and I couldn't be any more happy, comfortable with myself, and proud."

And, boom, nine years later, Metrosource is accurate.

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I Was In A $160,000 Car Crash And All I Got Was Hay In My Ladybits

July 2nd, 2012Top Story

I Was In A $160,000 Car Crash And All I Got Was Hay In My Ladybits

By Nancy Atkinson-Turner

I Was In A $160,000 Car Crash And All I Got Was Hay In My LadybitsOn Saturday night I was due to be at the Goodwood Festival of Speed Ball. Oh how excited I was! However, by 7:00 pm I was lying flat on a spinal board with women plucking straw and glass from my noon.

For those of you that haven't dated an Essex girl a noon is a more delicate term for bearded clam, cupids cupboard or furry taco. 

I obtained a pubic mound that Worzel Gummidge would have been proud of in a Gumpert Apollo after my driver decided to imitate stunt man Terry Grant on Michelins Supercar run by going round Molecombe sideways and at about 85 mph.  

I'm not going to beat around the straw bush here, it was a 'Billy' error to make. We went in too fast and lifted a fatal combination on any corner in a RWD car. The result was over $160,000 of damage to the car and red flagging of the event.

Crashing in any car is a scary thing. In a Gumpert its a scary but TOTALLY AWESOME thing.  You know how cool you feel when you are sitting in a hypercar and you paste it all over Twitter and the internet and your friends like it and RT it and get all overexcited like you just met the Beatles or something?

Click to view Well, when you get to share videos of you being removed from a car worth more than your mates house on a spinal board with around 25 marshals, doctors and nurses around you I can tell you that your status goes full on berserk.  Unless you are the driver of course, then the whole thing is probably pretty embarrassing. 

I had braced for impact just after the first corner, it just seemed inevitable that we wouldn't make it further than Molecombe.

There are various things I don't remember like removing my helmet and the driver giving it his best to drive the car off but of the one thing I do remember is a desperate and immediate need to wee. For six hours I hung on to that wee. I deserve a medal for that alone.

Whilst I was being pulled out of the Gumpert, Lord March had taken it upon himself to personally look after my six-year-old son who now thinks I am the coolest woman on earth and my husband. So they were getting butler service as I started my journey to the Major Incident Unit at Southampton General. 

You'll all be pleased to hear I am not dead. I'm battered and bruised still pulling out splinters of glass and bits of straw from all kinds of embarrassing places but to be fair I've had Friday nights that have resulted in much the same. 

The branding on the spoiler of the car was "Go Hard or Go Home." I'll always remember this as "Go Hard Go to Hospital."

Massive thanks to all involved in my rescue and to Samantha Ward and her husband, the owners of the Gumpert, who spent along time trying to track me down to wish me well. 

Same time same place next year guys? only this time I'll drive 


Nancy Atkinson-Turner is a freelance journalist and owner of the exclusive member's club Macchinca. You can read her blog here and follow her on Twitter here. She is an exceptionally good sport, as well, for agreeing to talk about this.

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